House for An Art Lover Picture Heavy

House for An Art Lover

Some of you who know me might recall that I am a big fan of Charles Rennie Mackintosh work. To the extent that when I got a scholarship in Paris (in a very prestigeous ESAG design school) instead of Glasgow School of Art, I was very disappointed (well, untill I went to Paris that is, where I had the most inspiring time of my life). However my sentiments to Charles Rennie's work remain the same.

Last weekend we have managed to visit a reconstructed Mackintosh project (the house was originally designed by Mackintosh and his wife, just on paper for a competition and never been executed in real life) - a House for Art Lover in Glasgow. One can get there by a 10 minutes ride on a train from the Glasgow Central which lands one in a very affluent neighbourhood. It looks like a perfect location for a property for an art enthousiast.

House was built with community funds overs several years in the 1990s and seems to be pretty accurate reconstruction of Mackintosh architectural utopian idea though I could not help but notice that sometimes the particular for Mackintosh work proportions were lost (understandably though as the idealised drawings had to be translated into real building with all its ingeneering and construction demands) and council put some weird art works (not at all connected with architect's work style and quite frankly ugly) in the garden. The groundfloor cafe had some peculiar objects for sale (like a comic about the architect's life and lots of silver jewellery better or worse inspired by his work) but it was full of people willing to spend an afternoon in this still very eye pleasing place with good vibes of a coherent concept. It is a clever combination of old architectural forms (the main hall remaining a medieval castle) with some naval forms and 17th century houses windows proportions (Simon remarked that one of the facades really looks like his old family house which was a building from mid 17th century), all incorporated in an unique form of a very modern looking building.

I wonder if Charles Rennie and Margaret would like how their idea was translated into real life (maybe minus weird, starck white, health-and-safety railings protecting one from falling off some 5 cm high steps in the garden...) or being perfectionists, they would be slightly dissapointed by financial and aesthetical compromises that had to be made in the final execution of the project. I rather think that they woud be jolly glad that finally someone in Scotland realised that they were unique artists. And now Glasgow can cash on the architects whose work was considered too sophisticated and he was not able to make a living out of it.

Glasgow - the rest

We have finally managed to go out last night and have some nice time with friends. We seldom venture out in the evenings as it is our working time. We usually are up by 10-11 am, procrastinate until 4-5 pm (we have some nice coffees, depending on the weather I might stroll down to Leith to deliver or pick up my exposed negatives, have a quick look at the colours at MAC's counter, go through some books at Waterstones on my way, have numerous coffees) and then we suddenly realise that it is time to sit down and do some work, so from 5 pm until 2 am I am usually stranded in front of my computer, working away.

Here is some more pleasant memories from our Glasgow trip with Liska and Lyovka: