It was a great stay though (this time we booked a room with a window, a permanently sealed one but let's not be picky) a bit stressfull (it was a work trip after all but as one fellow photographer friend commented London is always good to go to for work reason) and rushed (so not time to meet family or friends - sorry guys!) but I met many friendly and helpful people (special kudos to a lovely press officer from V&A and my charming subject who proved to be extremely photogenic and patient and I seldom work with complete strangers so it was an enigma how the cooperation is going to look like).
I had at least 3 passers by asking me if I need any help when I was flicking thourgh my London A-Z outside of the Euston and Hoxton underground stations trying to arrange map along East to West directions thus shattering a myth of uncooperative Londoners.
It was lovely to come back to our smaller in scale, calmer and slower in pace Scottish capital. Especially after waiting for 40 minutes at King's Cross train station's mail hall right in the middle of the rush hour. The sheer amount of passing faces can make one dizzy.
So here is the visual material. Oh, if you would like to know - I have just picked up my negatives from processing and they are all waiting to be scanned. So far at least they look correctly exposed and some of them look like they have some potential...
An authentic notice on a house railing in one of the main streets in Kensington. I hope it comes from the 1940s (judging by the font):
We have spotted this plaque on a house in Cromwell Road on our way to hotel. Is says that Albert Hitchcock lived in the house! Poor chap, no wonder that our hotel window was sealed completely, this road is extremely busy!
My better profile at the V& A's outrageously decorated cafe:
So when are you coming, Monika?
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